Dessa ornitologer, forskare, naturvetenskapliga illustratörer och konstnärer var födda i Haminanlaks nära Kuopio i Finland. I Stockholm i augusti 1828 påbörjade Magnus och Wilhelm von Wright bildverket Svenska Foglar, finansierat av greve Nils Bonde. Detta ornitologiska verk blev klart 1838 och ar en en samling pa178 litografier.   Related Paintings of broderna von wrights :. | grasandshona med ungar | sjalvportratt med palett | morkulla | havsorn pa strandklippa | dubbelbeckasin |
Related Artists:
Hans Eworth
Flemish Northern Renaissance Painter, active 1540-1573 Flemish painter, active in England. Jan Euworts was listed in 1540 as a freeman of the Guild of St Luke in Antwerp, but by 1545 he had moved to England, where until 1571 his name, spelt in a wide variety of ways (e.g. Eeworts, Eottes, Euertz, Evance, Eworts, Ewotes, Ewout, Ewoutsz., Eywooddes, Hawarde, Heward, Huett etc), appeared in numerous naturalization, tax and parish documents. About 35 paintings are generally attributed to him, consisting primarily of dated portraits of the English gentry and nobility. The majority are signed with the monogram HE, which led to their being attributed to the Flemish painter Lucas de Heere during the 18th and 19th centuries. Cust reattributed the paintings to Eworth on the basis of an inventory (1590) of the collection of John, 1st Baron Lumley, in which three monogrammed portraits were listed as being by Haunce Eworth
Francois-Hubert Drouais
Paris 1727-Rome 1775 was a French painter and Jean-Germain Drouais's father. He specialized in portraits, some of which include Louis XV's last two mistresses, Madame de Pompadour and Madame du Barry respectively. He even painted the young Marie Antoinette.
Olga Wisinger-Florian
Austria born 1844 - died 1926 was an Austrian impressionist painter, mainly of landscapes and flower still lifes. She was a notable representative of Austrian Mood Impressionism. Having trained as a concert pianist, Wisinger-Florian switched to painting in the mid-1870s. She was a student of Melchior Fritsch, August Schaeffer, and Emil Jakob Schindler. From 1881 she regularly showed paintings at the annual exhibitions mounted at the artist's house and later often showed at Vienna Secession exhibitions. Work she showed at the Paris and Chicago international exhibitions earned her worldwide acclaim. The artist, who was also active in the middle-class women's movements of the time, was awarded numerous distinctions and prizes. Wisinger-Florian's early paintings can be assigned to what is known as Austrian Mood Impressionism. In her landscape paintings she adopted Schindler's sublime approach to nature. The motifs she employed, such as views of tree-lined avenues, gardens and fields, were strongly reminiscent of her teacher's work. After breaking with Schindler in 1884, however, the artist went her own way. Her conception of landscape became more realistic.